All in Hardcover

Dungeon Crawler Carl – Matt Dinniman

It’s hard to judge “Carl” as a standalone, because it barely wants to be one. This is a long opening act. Still, I’m impressed by Dinniman’s imaginative reach and curious how many of the seemingly throwaway details will later reveal themselves as deliberate groundwork. As the first entry in an eight-book (and counting) series, it’s clearly doing foundational labor but that doesn’t always make it enjoyable.

First Lie Wins – Ashley Elston

Ashley Elston includes all the hallmarks of a genre potboiler: a protagonist with a murky past and razor-sharp instincts, a shadowy organization running black-market jobs, a love interest who might not be what he seems and a series of twists that stack so high they nearly collapse under their own weight. However, she pulls it off – not because she avoids clichés, but because she leans into them with just enough self-awareness to make it work.

Our Town – Thornton Wilder

Expectation: Honestly, I had no idea what to expect having somehow missed all productions and required readings of this classic play for more than 40 years.

Reality: It’s easy to interpret Wilder’s words as cursory but that’s a lazy examination of the masterful story he told here.

Night Shift – Stephen King

Reading this collection was a damn delight and a nostalgic serotonin boost that transported me back to high school when I devoured my first classic King novels in mass market paperbacks.  As my mini-reviews show, this was a mostly solid top-to-bottom collection that got better as the stories progressed. It showcased King at the top of his game - observant, reflective, emotional and downright scary.


Just After Sunset – Stephen King

Expectation: A scattershot collection of stories from King’s uneven period of the mid-aughts.

Reality: A completely passable and often entertaining collection that bring forward some classic, and previously unpublished stories, and set the groundwork for some of his later works.