Does listening to audiobooks count as reading? Here it does. Let’s discuss your favorite reads — or listens.
All tagged historical fiction
A powerful, slow-burning portrait of Dust Bowl-era migration, “The Grapes of Wrath” explores poverty, resilience and injustice through the Joad family’s harrowing journey from Oklahoma to California. John Steinbeck’s writing is dense but rewarding, culminating in one of literature’s most haunting final scenes. A brutal yet brilliant American classic.
I struggled with how the novel “tames” Faina. Though she’s not Indigenous, the parallels to forced assimilation are hard to miss, and Ivey doesn’t quite engage with that. Faina is wild and otherworldly, and the story asks her to shrink herself in exchange for love and belonging. In the end, her freedom costs her everything, and I’m not sure it had to.
Lisa See’s The Island of Sea Women explores the unique matriarchal culture of Korea’s haenyeo divers on Jeju Island, set against major 20th-century events like Japanese occupation and the Korean War. While rich in historical detail and cultural insight, the novel struggles to deliver emotional depth or strong character development. Best for readers interested in Korean history and women’s roles in wartime, but don’t expect a gripping fictional narrative.
In this bold and imaginative novel, Bob the Drag Queen reimagines the legendary abolitionist as a returning historical figure determined to tell her story on stage. With help from a once-famous hip-hop producer, Tubman creates a Broadway-style musical that blends history and humor. Packed with sharp writing, emotional depth and two original songs, this audiobook is a powerful mix of speculative fiction and accessible historical storytelling.
This is a novel about space, yes, but it’s also about constraints. What it means to want something enormous, only to realize you may have to make yourself smaller to reach it. About what it means to live within institutions that weren’t built for you.
Hall isn’t writing heroes or villains, she’s writing about people who believe their own rationalizations – even as they unravel the lives of others.
“Bolla” isn’t a book you’ll want to live in for long. It offers no comfort, no catharsis, only the slow, painful truth that repression – personal or political – rarely leaves survivors.
To his credit, Baldacci doesn’t sanitize the war. He allows his characters to bristle at their government, at the Americans and at each other. The book isn’t burdened by a need for patriotic polish, and its refusal to lean into easy sentimentality is refreshing.
It’s a curious novel, blending fiction with recognizable realities, that made me care about a family I would have rather forgotten. So I’m surprised to say I’m glad I picked it up. Not because of the subject matter but because it proves Sittenfeld is one of the most fascinating writers working today.
While not without its uneven moments, this is a testament to Jones’ ability to blend personal history with fiction, elevating the struggles of Black children into something literary, urgent and deeply human.
Abraham Verghese’s lauded novel effectively blends drama with cultural and historical perspectives but it also sometimes struggles under the weight of its own expansiveness.
Ben Shattuck has easily delivered a contender for my favorite read of 2024 by weaving together 12 richly drawn, interconnected narratives that span centuries. Masterfully blending elements of historical and contemporary fiction, romance and Americana, there is a little something for everyone in this Northeast-set collection.
Bobby Finger did the near impossible. He somehow merged contemporary and historical fiction, paired it with a dash of literary depth, and wrapped it in a cozy sheen perfect for a lazy day on the beach. Yes, dear readers, he somehow made reading about sustained, collective trauma heart-warming. Color me surprised!
Expectation: A nuanced and authentic portrayal of the early AIDS epidemic in small town America.
Reality: A well-meaning but melodramatic story that felt a bit like young adult fiction.
Expectation: A study in modern Indigenous life in California told through interwoven stories.
Reality: A powerful but uneven exploration of Native American identity that falters a bit as both a sequel/prequel to “There There” but shines with a stellar audiobook narration.
Expectation: A heavy-handed young adult classic that prioritizes hijinks over meaningful character development and scenario exploration.
Reality: Thoughtful and engrossing, the story had me hooked from the first chapter. This is a fantastic historical fiction introduction to America’s racial injustices.
Expectation: A searing exploration of race and class told from the perspective of twin sisters who live on opposite ends of the color line.
Reality: Structured to be palatable for the masses, it’s entertaining enough but far from the powerful story I expected given the near universal acclaim it has received.
Expectation: A sweeping story of hardship and survival set against major conflicts of the Vietnam War.
Reality: Informative and engrossing, if a tad long, Kristin Hannah once again delivers an historical fiction epic but continued trauma dumping on the main character lessens her credibility.
Expectation: A steamy political thriller about two up and coming politicos balancing a clandestine, queer love affair under the specter of the Lavender Scare.
Reality: Essentially a nonfiction novel with unlikable characters and flat development. Do yourself a favor and skip it in favor of the limited television series.
Expectation: A straightforward historical fiction journey through a remote area of New England.
Reality: A dark, but accessible fairytale filled with ghosts – both literal and figurative – that excels at making the reader care about the dozen or so characters we meet. It was one of the more creative novels I read this year.
