Dearborn – Ghassan Zeineddine

Expectation: A “city as the sole connection” collection that reads more like a wannabe novel.

Reality: A sometimes funny, sometimes heartbreak collection about the new American experience that succeeds thanks to its subtlety. There are no bad apples in the bunch.

The Overstory – Richard Powers

Expectation: A powerful story about the human/nature connection and how an ever-accelerating eco-calamity will destroy us all.

Reality: Bloated and boring, there was far too much happening and very little of it was interesting. I’m struggling to see how this won the Pulitzer Prize. 

Martyr! – Kaveh Akbar

Expectation: Writers jumping from poetry to fiction often struggle with pacing and characterization, so I expected an ostentatious mess.

Reality: Akbar's poetic prose and captivating characters shine through the non-linear structure, making “Martyr!” an engaging read despite its occasional superfluousness.

Wandering Stars – Tommy Orange

Expectation: A study in modern Indigenous life in California told through interwoven stories.

Reality: A powerful but uneven exploration of Native American identity that falters a bit as both a sequel/prequel to “There There” but shines with a stellar audiobook narration.

Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears – Michael Schulman

For expecting this to be a frothy history, I was surprised by the detailed explorations of how the sausage was/is made – from studio system contracts to politicking and power grabs. People looking for an exhaustive recap of the awards themselves will be disappointed as Schulman presents more a chronicle of Hollywood in 11 eras, with the Oscars serving as a (sometimes loose) connective thread to introduce the films, actors and creators that defined each generation.