Eight books in, "A Parade of Horribles" is the course correction "Dungeon Crawler Carl" needed after the bloat of book seven. Chapter 57 — Carl and Donut dueting to A-ha's "Take on Me" — is the most purely joyful sequence in the series.
Does listening to audiobooks count as reading? Here it does. Let’s discuss your favorite reads — or listens.
All tagged comedy
Eight books in, "A Parade of Horribles" is the course correction "Dungeon Crawler Carl" needed after the bloat of book seven. Chapter 57 — Carl and Donut dueting to A-ha's "Take on Me" — is the most purely joyful sequence in the series.
Six books of buildup, and the Faction Wars arrive with a whimper. "This Inevitable Ruin" is overstuffed, repetitive and 300-pages too long — a GoT "Long Night" moment for the Dungeon Crawler Carl series. The emotional beats that define the series are still here, just buried under dungeon mechanics and escalating conflict from gods.
Five books in, "The Butcher's Masquerade" is the entry that finally earns the series' promise. As a literary fiction reader who came in skeptical and stayed cautious through four uneven installments finally found the payoff — cohesive, thrilling, genuinely funny and more emotionally sophisticated than the ridiculousness would suggest.
Kevin Wilson books usually follow a pattern: high-concept premise, strong start, then a slow unraveling into sentiment or chaos. “Run for the Hills” still asks you to suspend disbelief (a lot of it), but for once, the absurdity holds.
There’s only so many ways a “person hellbent on dying finds a reason to live again” plot can feel fresh. For the first quarter of the novel it felt very familiar (I couldn’t help but think of Matt Haig’s “The Midnight Library”), but Espach quickly drew me into the lives of Lila and Phoebe, two women navigating a week of unexpected soul-searching.
Expectation: A straight-forward espionage thriller about a man inheriting his uncle’s dirty deeds.
Reality: An outlandish, action-packed sci-fi comedy that won me over with talking animals and some solid social commentary.
Expectation: A lighthearted break-up story with the usual rom-com tropes.
Reality: A surprisingly affecting exploration of self-discovery and navigating heartbreak from the perspective of a dumped male.
Expectation: A smart, timely commentary on celebrity culture and self-esteem.
Reality: All of that plus laugh out loud funny. I was compulsively entertained from start-to-finish.
Expectation: A quasi-retelling of the classic film but with a May-December friendship and some lower (i.e. not deadly) stakes.
Reality: Absolutely garbage.
There’s no celebrity gossip or score settling, but we do get an interesting behind-the-scenes view of her time on “Saturday Night Live,” and how she created iconic characters like Mary Catherine Gallagher, Sally O’Malley, Circe Nightshade and Miss Colleen. It was a great nostalgia trip.
Expectation: A balanced examination of second chances delivered with Backman’s signature style of homespun philosophy.
Reality: A somewhat slap-sticky and, at times, annoying character study that tries to do a bit too much but finds its footing in the end.
An over-done nostalgia trip with weak character development and more internal than vampiric strife.