Does listening to audiobooks count as reading? Here it does. Let’s discuss your favorite reads — or listens.
All tagged family drama
“Tell Me How to Be” isn’t perfect. It’s sometimes overwrought, and Akash will test your sympathy, but it’s also culturally honest without pandering and willing to sit in discomfort. It shows real growth from Patel’s earlier work and enough promise to make me want to see what he does next.
It’s a curious novel, blending fiction with recognizable realities, that made me care about a family I would have rather forgotten. So I’m surprised to say I’m glad I picked it up. Not because of the subject matter but because it proves Sittenfeld is one of the most fascinating writers working today.
“Blue Sisters” is, in many ways, a Trojan horse of a novel – what seems like a light, fast read is actually a deeply serious and heartfelt story about grief’s enduring grip and the slow, often painful process of rebuilding in its wake.
Though the author is best known for his searing critiques of race and sexuality, “Beale Street” is unique in his body of work. It’s his first novel (that I’ve read) centered entirely on Black love and the only one narrated by a woman.
Split between two narrators – Mark Wolfe, a self-absorbed technical writer from Pittsburgh, and Lakesha Williams, his diligent and thoughtful work colleague – the story kicks off with a mundane office conflict that feels disconnected from the rest of the novel's ostensible focus: the search for Godwin, a young African soccer prodigy. This odd opening sets the tone for a book that reads like two distinct narratives clumsily stitched together.
For all its flaws, “The Brothers K” offers a reminder of the bonds that hold families together despite their differences. The Chance family, though flawed and frequently at odds, is united by love and loyalty – a timely message about finding the good in one another.
Everything you need to know about “Long Island Compromise” is in the title. It is essentially a 500-page exploration of the ways in which people can be screwed over by each other, a job and the relentless pursuit of money.
Exploring the complexities of family, identity and the American Dream – plus the ethics of genome editing for good measure – it's the type of novel that could easily veer into literary excess but Khong showed a remarkable knack for balancing heavy ideas with beach read sensibilities.
Expectation: A straightforward historical fiction journey through a remote area of New England.
Reality: A dark, but accessible fairytale filled with ghosts – both literal and figurative – that excels at making the reader care about the dozen or so characters we meet. It was one of the more creative novels I read this year.
Expectation: A richly-layered tearjerker that tracks the ups and downs of four sisters and the people in their orbit.
Reality: Too many characters without development and repetitive sections showed the author couldn’t scale her storytelling ambition.
Expectation: A light-hearted English mystery.
Reality: Darker than expected with a somewhat problematic undertone.
Expectation: A trauma-fest ripped from the headlines.
Reality: A surprisingly balanced and detailed microhistory of early 1990s racial tensions in Los Angeles. The story had many layers that were explored in detail without making this feel like an agony dump.
Expectation: A modern retelling of Hansel and Greta but with PTSD being the villain.
Reality: An engrossing and complex story about forgiveness and self-love. It’s not going to be to everyone’s taste, but it’s worth the read.
Expectation: A sullen “Parent Trap”-esque young adult novel about two half sisters learning about one another through tragedy.
Reality: A gorgeously understated book-in-verse that delivered strong character development and real emotion without pandering to YA trends.
Expectation: My enthusiasm was off the charts for this book, my most anticipated read of the year.
Reality: While not as strong as Stradal's previous novels, it was still highly entertaining and he took a few risks that mostly paid off.
Expectation: A family mystery-thriller akin to Alice Sebold’s “Lovely Bones.”
Reality: Not so much a mystery, but a slowburn exploration of the Lee family dynamics, which have a solid foundation of secrecy.
Expectation: The next great coming-of-age collection spotlighting an underrepresented group of people.
Reality: A tonally uneven collection that was not helped by a terrible audiobook narration.
Expectation: An engrossing, underappreciated modern epic.
Reality: Bloated, meandering and populated with people doing terrible things, I wanted to like this more than I did.
Expectation: A family drama infused with Chicagoland ethos (think part “Happy Endings”/part “Shameless”).
Reality: Funnier and more thought provoking than anticipated, I was absolutely engrossed by the story and felt seen in the pages.
Expectation: A high concept buddy dramedy exploring the human and animal connection.
Reality: Marcellus and Tova are the strongest parts of the story, so whenever it shifted to someone else the narrative lost steam. Still, I was charmed overall.
