Does listening to audiobooks count as reading? Here it does. Let’s discuss your favorite reads — or listens.
All tagged favorite authors
If you asked me what this is about, I’m not sure I could tell you. It has several subplots, but no single throughline, and maybe that’s the point. This is a book about transient relationships – the people who find you when you’re at your lowest, who don’t fix you but show up anyway.
If you're newer to poetry, this is a great entry point. There's enough cultural reference and narrative grounding to make you feel like you’re “getting it,” even if some symbolism is out of reach.
Even the weaker stories carry flashes of what makes Sittenfeld compelling: the sly observation, the perfect turn of phrase, the ability to make a character feel ridiculous and real in equal measure. This is objectively not a bad book, it’s just not Sittenfeld at her best.
A solid addition to Stephen King’s bibliography, though it may not stand alongside his most enduring works. The stakes in each story feel high, and while not every piece reaches the heights of his best work, the collection as a whole offers a compelling, if occasionally uneven, journey into King’s evolving narrative style.
Ultimately, this collection serves as both a time capsule and a stepping stone in Abdurraqib’s evolution as a writer. It lacks the full polish of his later work, but the rawness and energy make it an essential read for those who appreciate music, culture and the ever-shifting landscape of America.
It’s a curious novel, blending fiction with recognizable realities, that made me care about a family I would have rather forgotten. So I’m surprised to say I’m glad I picked it up. Not because of the subject matter but because it proves Sittenfeld is one of the most fascinating writers working today.
While the romance at times veers into saccharine territory – declarations of love come frequently, and some gestures, like the grand finale at Wrigley Field, feel cinematic to a fault – it is counterbalanced with an exploration of what it means to forgive, even if forgetting is not an option.
Though the author is best known for his searing critiques of race and sexuality, “Beale Street” is unique in his body of work. It’s his first novel (that I’ve read) centered entirely on Black love and the only one narrated by a woman.
As usual, Larson’s storytelling brings history to life in vivid detail, a rare skill in nonfiction, but here, the ambitious scope feels unwieldy – even for a pro. The concurrent narratives and numerous characters create a sprawling account, yet “Demon” lacks the cohesion and emotional depth that defined his best works.
Garth Greenwell’s “Small Rain” explores the isolation and unraveling of self that so many of us endured during the first COVID-19 summer. His unnamed protagonist experiences this in a way that’s magnified tenfold, as he is confined to a hospital room with a potentially fatal diagnosis: an aortic dissection. The fact he survived such low odds and remains coherent adds an underlying tension to every encounter. He is suspended in a liminal state, living on what feels like borrowed time.
With 26 stories in the collection, it's unsurprising that not all of them resonated. I enjoyed about half, while others felt flat, somewhat confusing or a bit derivative of stronger stories in the mix. Still, this anthology serves as an excellent entry point to the world of Indigenous writers who are making waves in literature right now.
Despite its length, “IT” stands as one of Stephen King’s most unsettling and complex works, effectively weaving psychological and supernatural horror with real-world brutality. Although King has made a career out of exploring dark and unhinged themes, “IT” pushes those boundaries.
Alexander Chee’s essay collection is first and foremost a showcase of his nearly unmatched talent. It's a celebration of the craft, of teaching and of the relentless pursuit of one’s artistic vision. Yet, for all its brilliance, the book is dreadfully boring.
"This House is Haunted" channels the spirit of a Victorian gothic novel with John Boyne capturing the genre's signature atmosphere and whispered gossip about dastardly deeds at a remote English estate. This unique blend of classic setting and contemporary heroine is the novel's greatest strength in what is otherwise a passably but mostly mediocre affair.
Expectation: The author branching out into different genres during his peak era of the early 1980s.
Reality: Given how famous two of the stories have become thanks to stellar film adaptations, I was left a bit disappointed in the source material.
Expectation: A semi-autobiographical coming-of-age story.
Reality: A religious-soaked, multi-layered family drama.
Expectation: A sweeping story of hardship and survival set against major conflicts of the Vietnam War.
Reality: Informative and engrossing, if a tad long, Kristin Hannah once again delivers an historical fiction epic but continued trauma dumping on the main character lessens her credibility.
Expectation: The author’s best character in recent years tackles another supernatural mystery.
Reality: Somewhat sidelined by an infusion of current events, it still represents a satisfying entry into King’s recent forays into crime procedurals.
Expectation: The lauded writer swapping complex family dramas for a gauzy faux-Hollywood story.
Reality: Sentimental and affecting, it felt like a warm hug every time I revisited Lara’s past, even though not every memory is rose-colored.
Expectation: A decades-spanning exploration of lust, love and monogamous monotony.
Reality: Smart, funny and heartfelt, Hill brings his characters to life in vivid detail while translating macro ideas about society into intimate, meaningful moments.
