Does listening to audiobooks count as reading? Here it does. Let’s discuss your favorite reads — or listens.
Expectation: An historical fiction epic focused on the experiences of two African families involved in different aspects of the slave trade.
Reality: Spanning centuries and two dozen characters, it’s a comprehensive yet intimate view of slavery and its long-term repercussions.
A complete series review of Alice Oseman's “Heartstopper — Volumes One through Six.” Cozy, queer and consistently wise, with Volume Four as the emotional peak and Volume Six a worthy, honest finale. A series that has always believed love isn't about finding someone who completes you, but about becoming more fully yourself because of them.
Expectation: Highbrow science fiction.
Reality: Science fiction almost takes a backseat to this moving examination of relationships and fate.
Expectation: A family drama heavy on religious guilt and first-generation American children defying parental expectations.
Reality: An initially confusing beginning unfolds into a layered, understated and deeply moving portrayal of the danger of secrets, carrying shame and failed second chances.
Even though Purnell’s heart was in the right place by elevating the contributions of Virginia Hall, “Woman” felt a bit tawdry. While we receive a well-rounded view of a pioneering figure in global espionage, the whole thing felt a little soulless, likely because Hall would’ve objected to its publication.
Expectation: To be wowed by this modern classic.
Reality: Even at its slim length, I found it to be an exercise in repetition and tedium.
Expectation: A depressing family drama.
Reality: The perfect balance of light and heavy, Ann Patchett brought to life a cast of interesting characters with her trademark observations on the nature of relationships and how they evolve over time.
Expectation: A gorgeously written astute commentary of mid-century American life.
Reality: All of the above, but incredibly depressing and a tad too long.
Expectation: A race against the clock of will they or won’t they sensibilities. But with death instead of love.
Reality: A slow-burn character study that takes a few strategic pivots from the usual serial killer narrative.
With “Devil,” Hanif Abdurraqib seamlessly weaves personal anecdotes with historical fact and cultural observation. It’s something that many nonfiction writers and essayists try to do, but I’ve yet to come across a writer that does it as brilliantly as Abdurraqib.
Expectation: A gorgeously written snapshot of life for Black people in the South during the early 1900s.
Reality: The unique format didn’t allow you to learn about all the characters equally, but it did make this a quick, engrossing read.
Acting as an embedded journalist, Cullen spent countless hours trailing and interviewing several of the MFOL teenagers. From the first meetings in a parents’ living room to political debates and a tour across the country, he was there for every early highlight, misstep and break down.
Expectation: A modern retelling of “The Stepford Wives” for the #MeToo era.
Reality: Definitely not what I expected but, in the best, most WTF ways.
"In Cold Blood" is arguably one of the most well-known American books ever. Does it live up to the hype? I think if you read the book without knowing anything intimately related to the story (i.e. seen “Capote,” etc.) then, for the most part, yes.
Expectation: The romantic fiction novel du jour.
Reality: An unlikable main character, multiple trigger warnings and still wholly readable.
Expectation: A queer romance set in Italy that isn’t “Call Me By Your Name.”
Reality: A beautifully written, often funny, story about chosen family and second chances.
Expectation: An “Animal House”-esque exploration of modern fraternity/college life.
Reality: A deft exploration of the dichotomies that exist within one of America’s oldest higher education social clubs.
Expectation: A richly drawn character study that brings the tears.
Reality: The epitome of a character-driven story that lacks the emotional heft of Yanagihara’s “A Little Life” but is still an exceptional work of fiction.
Dave Cullen is a talented writer who used meticulous research and years of building a strong rapport with victims and investigators to bring us what has been called the "ultimate" description of what happened on April 20, 1999.
Expectation: A quirky workplace comedy.
Reality: A funny, thought-provoking satire that nailed corporate/creative agency absurdities. It also had an understated M/M love story.
