"Cat Love" has genuinely interesting ideas about empathy and desensitization buried under so many digressions it never comes together. I still can't fully explain or understand half of what happened in this novel.
All tagged dystopia
Carl’s Doomsday Scenario – Matt Dinniman
While picking up exactly where “Dungeon Crawler Carl” left off, it almost immediately becomes clear that Matt Dinniman had settled into this world. This was a better book: better paced, better structured and more willing to let scenes breathe instead of sprinting from gag to gag.
Dungeon Crawler Carl – Matt Dinniman
It’s hard to judge “Carl” as a standalone, because it barely wants to be one. This is a long opening act. Still, I’m impressed by Dinniman’s imaginative reach and curious how many of the seemingly throwaway details will later reveal themselves as deliberate groundwork. As the first entry in an eight-book (and counting) series, it’s clearly doing foundational labor but that doesn’t always make it enjoyable.
The Blueprint – Rae Giana Rashad
This isn’t an easy book, nor an unimportant one. Rashad has strong ideas, clear anger and real imagination. But too many concepts are crowded into too few pages, and the novel ultimately lacks the polish and focus needed to make its themes land with full force.
It's Not the End of the World – Jonathan Parks-Ramage
While not a modern masterpiece, it is an audacious, bloody and often grimly funny ride that pairs the bourgeois nihilism of Bret Easton Ellis with the horror of Stephen King and the commentary of Octavia E. Butler and Margaret Atwood.
The Bees – Laline Paull
High-concept fiction always walks a fine line between bold and baffling, but “The Bees” topples into the latter. If you like your dystopias with a side of entomological fever dream, by all means. Otherwise, buzz past it.
The Measure – Nikki Erlick
Like “The Alchemist,” another polarizing philosophical fable, it may resonate deeply with readers seeking affirmation about life, death and purpose. I just wish it had trusted us to think more and feel harder, rather than spelling everything out.
Sunrise on the Reaping – Suzanne Collins
I don't give five stars easily and almost never to a series book, or a YA novel, but “Sunrise on the Reaping” earns it. Propulsive, gutting and almost unbearably tense, it takes the familiar structure of the series and makes it feel more personal, more political and more devastating than ever.
The Parable of the Sower – Octavia E. Butler
Octavia E. Butler’s storytelling is gripping but uneven, blending chilling foresight with a narrative that sometimes felt disjointed. While her vision of America is undeniably powerful, the novel’s fragmented structure and numerous themes occasionally dilute its impact.
The Testaments – Margaret Atwood
While “The Testaments” may not be as beloved as the original – let’s be honest, few sequels are – I still found it to be a compelling page-turner that stands as a masterclass in dystopian fiction.
The Handmaid’s Tale – Margaret Atwood
A chilling exploration of power, oppression and the fragility of democracy – far from light reading, especially given today’s political climate – even those familiar with the series will find the novel a more visceral experience.
Blindness – José Saramago
José Saramago's “Blindness” is a harrowing exploration of humanity stripped bare. The novel’s premise—a sudden, inexplicable wave of blindness—is a chilling backdrop for a descent into a Hobbesian world of survival and savagery.
Severance – Ling Ma
The alternating timelines – one focused on a small group of Shen Fever refugees, and the other Candace’s experiences as the daughter of Chinese immigrants – allow Ma the runway to take her core themes in interesting directions, but it felt like the merging of two novels into one versus a cohesive narrative.
Moon of the Turning Leaves – Waubgeshig Rice
Expectation: A true continuation of the first novel, picking up where things left off for the Anishinaabe as they enter the next phase of survival in the Canadian north.
Reality: Less intimate and more standard dystopian tale, the slow pacing and underdeveloped characters may deter some readers, but the emotional ending provides a satisfying conclusion to the story.
The Wishing Pool and Other Stories – Tananarive Due
Expectation: Stories to chill-the-bones from a noted voice in the Black horror genre.
Reality: Interesting scenarios and characters are largely overshadowed by ancillary details and incomplete endings.
Moon of the Crusted Snow – Waubgeshig Rice
Expectation: An action-packed post-apocalyptic First Nations-set thriller.
Reality: A slowburn story that uses the end-of-times as an allegory for settler colonialism, the Indigenous focus is what sets this apart from other, similar tales.
Chain-Gang All-Stars – Nana Kwame Adjei-Brenyah
Expectation: A dark dystopian view of mass incarceration as blood sport entertainment.
Reality: While crammed a little too full of characters and plots, a highly creative concept, four stellar characters and a fantastic audiobook narration made this an engrossing read.
To Paradise – Hanya Yanagihara
Expectation: A richly drawn character study that brings the tears.
Reality: The epitome of a character-driven story that lacks the emotional heft of Yanagihara’s “A Little Life” but is still an exceptional work of fiction.
A Children’s Bible – Lydia Millet
Expectation: A moody, intelligent apocalyptic tale for modern times.
Reality: A mess.
Station Eleven – Emily St. John Mandel
Expectation: A high-brow thriller set in the post-apocalyptic Midwest.
Reality: A richly drawn character study that expertly balances multiple, intersecting plots and timelines.