Does listening to audiobooks count as reading? Here it does. Let’s discuss your favorite reads — or listens.
All tagged recommendations
Part supernatural horror, part found family drama, part political satire but all entertaining. Six college students summon a dragon and spend decades paying for it. Ari Fliakos delivers one of the year's best audiobook performances. My first-time reading Joe Hill, but it won’t be my last.
Kathryn Stockett spent a decade in literary exile. "The Calamity Club" is her case for a second act — and it delivers. A feminist Depression-era novel about eugenics, found family and three women who need each other to survive. Better written than "The Help," anchored by two exceptional narrators and one of the year's most resilient protagonists.
“True True” is far more entertaining than its dust-jacket suggests, and it’s absolutely worth the time. It exceeded my expectations and, like last year’s winner “James,” suggests the National Book Award isn’t afraid of honoring a novel that’s broadly appealing without being shallow.
A tender, character-driven novel about marriages, secrets and small-town lives—sweeping yet intimate, and one of my standout reads of 2025.
“Heartwood” isn’t the best book I’ve read this year, but it’s among the most gripping. Perfect for readers who want substance and momentum, or book clubs looking for both literary depth and genuine suspense.
A juicy, unflinching memoir from a former Facebook exec exposing toxic leadership, global consequences and the cost of unchecked idealism in Big Tech.
Larry McMurtry’s Pulitzer Prize–winning novel “Lonesome Dove” turned 40 this year, and it’s easy to see why it still resonates. On the surface it’s about a cattle drive from Texas to Montana, but beneath the gunfights and frontier myth-making, it’s really about fidelity, friendship and the cost of dreams.
I don't give five stars easily and almost never to a series book, or a YA novel, but “Sunrise on the Reaping” earns it. Propulsive, gutting and almost unbearably tense, it takes the familiar structure of the series and makes it feel more personal, more political and more devastating than ever.
“Blue Sisters” is, in many ways, a Trojan horse of a novel – what seems like a light, fast read is actually a deeply serious and heartfelt story about grief’s enduring grip and the slow, often painful process of rebuilding in its wake.
While “The Testaments” may not be as beloved as the original – let’s be honest, few sequels are – I still found it to be a compelling page-turner that stands as a masterclass in dystopian fiction.
A chilling exploration of power, oppression and the fragility of democracy – far from light reading, especially given today’s political climate – even those familiar with the series will find the novel a more visceral experience.
Garth Greenwell’s “Small Rain” explores the isolation and unraveling of self that so many of us endured during the first COVID-19 summer. His unnamed protagonist experiences this in a way that’s magnified tenfold, as he is confined to a hospital room with a potentially fatal diagnosis: an aortic dissection. The fact he survived such low odds and remains coherent adds an underlying tension to every encounter. He is suspended in a liminal state, living on what feels like borrowed time.
Named “the greatest American novel you’ve never heard of” by The New Yorker, John Williams’ “Stoner'' certainly earns that distinction with a simple, beautifully woven story about a Midwestern English professor living a remarkably unremarkable life.
Ben Shattuck has easily delivered a contender for my favorite read of 2024 by weaving together 12 richly drawn, interconnected narratives that span centuries. Masterfully blending elements of historical and contemporary fiction, romance and Americana, there is a little something for everyone in this Northeast-set collection.
Expectation: A slow-burn coming-of-age story about forbidden love.
Reality: A beautiful, sensual and deep exploration of desire and connection. While closely aligned to the film adaptation, the source material is worth the read.
Derf Backderf's "Kent State: Four Dead in Ohio" takes readers beyond the iconic photograph, offering a meticulously researched and haunting graphic novel about the events that occurred on May 4, 1970, between students at Kent State University and the Ohio National Guard.
Expectation: A straight-forward mystery thriller framed around 90s nostalgia.
Reality: More literary fiction than traditional suspense, Makkai’s use of hindsight evaluation to move the plot forward had me hooked.
For expecting this to be a frothy history, I was surprised by the detailed explorations of how the sausage was/is made – from studio system contracts to politicking and power grabs. People looking for an exhaustive recap of the awards themselves will be disappointed as Schulman presents more a chronicle of Hollywood in 11 eras, with the Oscars serving as a (sometimes loose) connective thread to introduce the films, actors and creators that defined each generation.
Expectation: A heavy-handed young adult classic that prioritizes hijinks over meaningful character development and scenario exploration.
Reality: Thoughtful and engrossing, the story had me hooked from the first chapter. This is a fantastic historical fiction introduction to America’s racial injustices.
For readers that want to brush up on the Civil Rights Movement of the 1960s, the “March” series is an exemplary feat of storytelling that exposes the hypocrisy, violence and injustice that spurred the movement while celebrating the everyday people who protested – and died – for desegregation and the passing of the Voting Rights Act.
